For more than four decades. two songs haunted me. They are set in the same rAga, sindhubhairavi. Whenever I listen to them, I feel like listening to them again and again and again …. It is possible to do so nowadays on the computer.
Krishna plays the magic flute. The call of his flute is always fascinating. The old, the young, the men and the women forsake all that they were doing and rush to the banks of yamunA. The dark Lord enchants everyone and everything, the living and the dying. He casts a magic spell and who can escape it? What is the meaning of this life when another life is calling?
The first song is from the film mIrA by Subbulakshmi. Who has not heard this song and who was not moved by it? What lyrics by kalki, what music by SV Venkataraman and what a song by MS? This is timeless, ageless and peerless.
kaaRxRxinilE varum geetham
kaNgaL panitthiDa po~ggum geetham
kallum kaniyum geetham
kaaRxRxinilE varum geetham
The melody comes floating in the breeze and immediately the eyes are moistened and a veil of mist forms before the eyes. The heart leaps and inert objects come alive.
paTTamara~ggaL thaLirkkum geetham
paNNoli po~ggiDum geetham
kaaTTu vila~ggum kETTE maya~ggum
madhuramOhana geetham
~ne~jjinilE
~ne~jjinil inbakkanalai ezhuppi
~ninaivazhikkum geetham
kaaRxRxinilE varum geetham
Leafless trees begin to sprout as if it were spring time when the waves of the melody engulfs them. The ferocious forest animals become subdued when they hear the melody. It stokes a sweet fire in the heart and removes all traces of past memory.
sunai va~nduDan sOlaikkuyilum
manam kuvi~ndhiDavum
vaanaveLittanil thaaraa gaNa~ggaL
thaya~ggi ~ninRxiDavum
Ayan solvEn maayappiLLai
vE~gguzhal pozhi geetham
kaaRxRxinilE varum geetham
As the birds that happily twitter when the rivulets are full after the rains and as the galaxy of the stars in the sky stand still, the enchanting music of the magic flute flows on.
~nilA malar~ndha iravinil thenRxal
ulaaviDum ~nadhiyil-
~neela ~niratthu baalagan oruvan
kuzhal oodhi ~ninRxaan
kaalemellaam—
kaalamellaam avan kaadhalai eNNi
urugumO en uLLam--
kaaRxRxinilE varum geetham
As the breeze blows on the wavy river in the moonlit nights, the dark Lord is standing there playing the magic flute. Thinking of him and his love, my heart melts and I can spend like this the rest of my life.
காறà¯à®±à®¿à®©à®¿à®²à¯‡ வரà¯à®®à¯ கீதமà¯
கணà¯à®•à®³à¯ பனிதà¯à®¤à®¿à®Ÿ பொஙà¯à®•à¯à®®à¯ கீதமà¯
கலà¯à®²à¯à®®à¯ கனியà¯à®®à¯ கீதமà¯
காறà¯à®±à®¿à®©à®¿à®²à¯‡ வரà¯à®®à¯ கீதமà¯
படà¯à®Ÿà®®à®°à®™à¯à®•à®³à¯ தளிரà¯à®•à¯à®•à¯à®®à¯ கீதமà¯
பணà¯à®£à¯Šà®²à®¿ பொஙà¯à®•à¯à®®à¯ கீதமà¯
காடà¯à®Ÿà¯ விலஙà¯à®•à¯à®®à¯ கேடà¯à®Ÿà¯‡ மயஙà¯à®•à¯à®®à¯
மதà¯à®°à®®à¯‹à®¹à®© கீதமà¯
நெஞà¯à®œà®¿à®©à®¿à®²à¯‡
நெஞà¯à®œà®¿à®©à®¿à®²à¯ இனà¯à®ªà®•à¯à®•à®©à®²à¯ˆ எழà¯à®ªà¯à®ªà®¿
நினைவழிகà¯à®•à¯à®®à¯ கீதமà¯
காறà¯à®±à®¿à®©à®¿à®²à¯‡ வரà¯à®®à¯ கீதமà¯
சà¯à®©à¯ˆ வநà¯à®¤à¯à®Ÿà®©à¯ சோலைகà¯à®•à¯à®¯à®¿à®²à¯à®®à¯
மனம௠கà¯à®µà®¿à®¨à¯à®¤à®¿à®Ÿà®µà¯à®®à¯
வானவெளிதà¯à®¤à®©à®¿à®²à¯ தாரா கணஙà¯à®•à®³à¯
தயஙà¯à®•à®¿ நினà¯à®±à®¿à®Ÿà®µà¯à®®à¯
ஆ, என௠சொலà¯à®µà¯‡à®©à¯ மாயபà¯à®ªà®¿à®³à¯à®³à¯ˆ
வேஙà¯à®•à¯à®´à®²à¯ பொழி கீதமà¯
காறà¯à®±à®¿à®©à®¿à®²à¯‡ வரà¯à®®à¯ கீதமà¯
நிலா மலரà¯à®¨à¯à®¤ இரவினில௠தெனà¯à®±à®²à¯
உலாவிடà¯à®®à¯ நதியிலà¯-
நீல நிரதà¯à®¤à¯ பாலகன௠ஒரà¯à®µà®©à¯
கà¯à®´à®²à¯ ஊதி நினà¯à®±à®¾à®©à¯
காலெமெலà¯à®²à®¾à®®à¯
காலமெலà¯à®²à®¾à®®à¯ அவன௠காதலை எணà¯à®£à®¿
உரà¯à®•à¯à®®à¯‹ என௠உளà¯à®³à®®à¯--
காறà¯à®±à®¿à®©à®¿à®²à¯‡ வரà¯à®®à¯ கீதமà¯
The second song that casts its spell always is the Kannada song Krishana koLalina kare. I am not sure how many among you have heard this song. This is rendered in her mellifluous voice by Srirangam Gopalaratnam. It is from the film subbASAstri. This movie based on a drama “aashaDhabhUti†(which itself is based on a play of Moliere) has some excellent music. Other songs in this movie are by Balamuralikrishna. This is the only film for which Veena Doraiswamy Ayyangar directed music. The lyrics, I believe, are by PT Narasimhachar.
When the magic flute calls, you leave everything and rush to the place from where the music is emanating. You don’t care for children, husband (wife), your wealth and ornaments. That music is like a ray of light in the dark.
kRuShNana koLalina kare
aalisu
kRuShNana koLalina kare
tvare tvare
Attention, listen to the melody of Krishna’s flute. Quickly!
toTTalina hasugoosa mare mare
pakkada gaMDana tore tore
bRuMdaavanake tvare tvare
kRuShNana koLalina kare
Forget about the newborn child’s cries in the cradle and the eagerness of the spouse in the bed. Run to the brindAvana to listen to the melody of Krishna’s flute.
muttina kuppusa haraLole
mallige jaaji muDi maale
hejjeya mEvura gejjeyapilli
maretE baMdEve maneyallE sakhi
kRuShNana koLalina kare
Friend, in my hurry I have forgotten to wear fine clothing, the garland of flowers and the jingling anklets leaving them all behind in the house.
hottaare hore gelasa mikkare migali
pakkada nerehore nakkare nagali
bRuMdaavanadoL aalisi gOmuraLi
kRuShNana koLalina kare
I don’t care a jot about the mountain of household chores. I am not going to worry about what my neighbours are going to talk behind me. I am running to brindAvana to listen to the melody of the flute played by Krishna before the cows.
nEsara kiraNa aagasadiruLa toreyisuva reeti
muraLIdharana muraLI maayadi mana biTTide bheeti
innaayite preeti innaayite preeti
kRuShNana koLalina kare
As the first ray drives out the darkness in the sky, the fear in me has been uprooted by the enchanting call of the flute. There is love and only love in my heart now.
ಕೃಷà³à²£à²¨ ಕೊಳಲಿನ ಕರೆ
ಆಲಿಸà³
ಕೃಷà³à²£à²¨ ಕೊಳಲಿನ ಕರೆ
ತà³à²µà²°à³† ತà³à²µà²°à³†
ತೊಟà³à²Ÿà²²à²¿à²¨ ಹಸà³à²—ೂಸ ಮರೆ ಮರೆ
ಪಕà³à²•à²¦ ಗಂಡನ ತೊರೆ ತೊರೆ
ಬೃಂದಾವನಕೆ ತà³à²µà²°à³† ತà³à²µà²°à³†
ಕೃಷà³à²£à²¨ ಕೊಳಲಿನ ಕರೆ
ಮà³à²¤à³à²¤à²¿à²¨ ಕà³à²ªà³à²ªà³à²¸ ಹರಳೊಲೆ
ಮಲà³à²²à²¿à²—ೆ ಜಾಜಿ ಮà³à²¡à²¿ ಮಾಲೆ
ಹೆಜà³à²œà³†à²¯ ಮೇವà³à²° ಗೆಜà³à²œà³†à²¯à²ªà²¿à²²à³à²²à²¿
ಮರೆತೇ ಬಂದೇವೆ ಮನೆಯಲà³à²²à³‡ ಸಖಿ
ಕೃಷà³à²£à²¨ ಕೊಳಲಿನ ಕರೆ
ಹೊತà³à²¤à²¾à²°à³† ಹೊರೆ ಗೆಲಸ ಮಿಕà³à²•à²°à³† ಮಿಗಲಿ
ಪಕà³à²•à²¦ ನೆರೆಹೊರೆ ನಕà³à²•à²°à³† ನಗಲಿ
ಬೃಂದಾವನದೊಳೠಆಲಿಸಿ ಗೋಮà³à²°à²³à²¿
ಕೃಷà³à²£à²¨ ಕೊಳಲಿನ ಕರೆ
ನೇಸರ ಕಿರಣ ಆಗಸದಿರà³à²³ ತೊರೆಯಿಸà³à²µ ರೀತಿ
ಮà³à²°à²³à³€à²§à²°à²¨ ಮà³à²°à²³à³€ ಮಾಯದಿ ಮನ ಬಿಟà³à²Ÿà²¿à²¦à³† à²à³€à²¤à²¿
ಇನà³à²¨à²¾à²¯à²¿à²¤à³† ಪà³à²°à³€à²¤à²¿ ಇನà³à²¨à²¾à²¯à²¿à²¤à³† ಪà³à²°à³€à²¤à²¿
ಕೃಷà³à²£à²¨ ಕೊಳಲಿನ ಕರೆ
To the above two, I must add another, a poem by the Telugu poet pOtana from his bhAgavata. There is practically none who knows Telugu and still is ignorant of its existence. The gOpis go to the brindAvana heeding the call of the flute. But where is he? He is not to be seen. They ask the trees and the plants whether Krishna is hiding there somewhere.
nallanivADu, padmanayanaMbulavADu, kRupArasaMbu pai
jalleDuvADu, mauLiparisarphitapiMChamuvADu, navvu rA-
jilleDu mOmuvA DokaDu chelvala mAnadhanaMbu decche nO
malliyalAra mI podalamATuna lEDu gadamma chepparE
He is dark and handsome and his eyes are like lotus petals.
He is quite compassionate and he has a peacock feather on his head.
His face is always lit with smiles and he has stolen our hearts
Is he by chance hiding in this flower bush?
O you tender jasmine flowers,
Would you be kind enough to inform us about his whereabouts?
నలà±à°²à°¨à°¿à°µà°¾à°à°¡à±, పదà±à°®à°¨à°¯à°¨à°‚à°¬à±à°²à°µà°¾à°à°¡à±, కృపారసంబౠపైà°
జలà±à°²à±†à°¡à±à°µà°¾à°à°¡à±, మౌళిపరిసరà±à°«à°¿à°¤à°ªà°¿à°‚ఛమà±à°µà°¾à°à°¡à±, నవà±à°µà± à°°à°¾-
జిలà±à°²à±†à°¡à± మోమà±à°µà°¾à° డొకà°à°¡à± చెలà±à°µà°² మానధనంబà±à° దెచà±à°šà±† నో
మలà±à°²à°¿à°¯à°²à°¾à°° మీ పొదలమాటà±à°¨ లేà°à°¡à± గదమà±à°® చెపà±à°ªà°°à±‡
I am only sharing my thoughts with you. I never studied Tamil or Kannada in the school. Please pardon me for any mistake. If you inform me, I’ll edit this with the corrections.
Here are the youtube links to the songs –
kATrinilE varum gItam - The first one is by MS and the second one by Sudha. Do not forget to appreciate the rangOli in the background :-)
http://www.youtube.com/watch?v=PCiqqFVY4Xw
http://www.youtube.com/watch?v=zD59mvCxElE&feature=related
Krishnana koLalina kare -
http://www.youtube.com/watch?v=cyAWpRb_33s
Here is a rangOli with the flute (This is a rangOli forum, right). While playing with the bamboo, Krishna must have arranged them in his own way and discovered the svAstika symbol as in the left-hand picture. Of course for the rAsakrIDa, hexagonal format is better suited :-) The background is deliberately made dark to reflect Krishna’s complexion (not the anemic blue popularised in cinema and drama).
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In reply to Indeed the movie was shot by jkmrao
In reply to Yes mOhanaji, you should by anirudh